April 2020

Jaroslaw Sokolowski
Photography

We shot guns, killed lots of people and went back in time.
The atmosphere on the set was really positive and every day of shooting was great fun, interesting and a real creative challenge.
I really enjoyed the process of setting lights, establishing shots and interacting with the crew and cast.
I learned a lot from very talented people and about how complex cinematic film making really is.
The entire production was professionally planned out, managed and executed. The director had a very strong vision and I can’t wait to see the end results.

Anastasia Arambasic
Hair & Makeup Special Effects

I am in love with makeup and got fascinated by its ability to enhance the natural beauty or completely transform a person. Every face has an unique and individual beauty that good makeup should accentuate, but it can also be canvas for endless imagination and a sharp eye of the artist. Over the years, I have been developing my new passion as an makeup artist mostly doing makeup for special occasions like weddings, proms and public appearances, but as well for Halloweens and various stage performances.

When I was offered to work on “Real Time”, I was extremely excited because it was one of my biggest wishes, so I accepted it without any hesitation. As a part of the crew, I learned a lot about how complex and stressful making a film is no matter what role you have in the process, but passionate, joyful and amusing in the same time. I am glad to be part of this amazing team.

Philipp König
Composer & Sound Designer

When I read about the “Real Time” project, I immediately wanted to be a part of it. I am a big fan of science fiction and film noir. The highlight of this project for me was to meet all the great people, especially the Barretts, who did a fantastic job.

I have been composing and producing electronic and experimental music for almost 20 years. I enjoyed a classical music education and have worked on many, sometimes very different projects during my career. Music and sound are very strong means of expression for feelings. Finding a suitable tonal framework for different situations in life is my great passion.

Dominik Ramsteck
Camera Operator

My highlight was actually to work with a new and innovative 360°camera rig. I love integrating the latest technology to advance storytelling and productions.

I’m a freelance DP and Gaffer based in Munich. I’m experienced in corporate and commercial projects but I love diving deep into more narrative work. If I’m not on set I work as a freelance tester for the ARRI camera R&D department.

Learn more about Dominik on his page.

Erick Espinosa
Camera Assistant

It was an excellent collaboration, we achieved a lot together.

Juliana Lynn Hülshorst
Greenscreen Supervisor

After reading the first draft of the short story “Real Time”, it was clear to me that I would be happy to get involved as professionally I work a lot in film and media production. Already in the preliminary planning we talked a few times about the story and the expected production needs. The project was well developed from the initial idea which ultimately gave a great basis for a smooth production.
I look forward to seeing the result and what will come in the future.